The Permanent Collection at the Biggs Museum holds a diverse array of art forms, representing painting, illustration, drawing, furniture making, sculpture and more. The Biggs Museum Staff and Gala General Chairs chose from its galleries a painting titled Young Lady as the 2012 Gala Signature Object to represent the impressive paintings in the Museum’s collection.

Young Lady is a classic example of Bell’s mature style. This striking art form is not only a portrait of a woman, but an aesthetic statement-female beauty epitomized and codified by the ideals of the American Renaissance. The woman’s pose and garment suggest classical art. The limited palette – “a harmony of gold, green, and flesh tones – create a timeless countenance. Even the reflection of light off the woman’s porcelain skin suggests the quality of a precious still life. Bell’s paintings were intended to appeal to the refined sensibility of America’s growing leisure class.
This selection is a reflective of the Museum’s past and partnering it with the current positive and forward-thinking disposition of The New Biggs. Having completed Phase One of Three Phases, The New Biggs capital campaign enhances outdated facilities to create gallery environments that allow unprecedented access to the collections while better serving the community’s educational and gathering needs. The Twentieth Anniversary Gala will be a celebration of the completion of Phase One and of what is to come in the future.

2010 Biggs Museum Gala
Looking glass, England or United States, 1830-1850, white pine, composition, mirrored glass

2009 Biggs Museum Gala
Fourth of July,, Francis Luis Mora, 1914, oil on canvas

2008 Biggs Museum Gala
The Bride of Abydos, Thomas Crawford, 1841/”modeled”, carved 1842, marble

2007 Biggs Museum Gala
“Linda raised her finers to her lips, and her eyes danced. ‘Hist, comrades!” said she. “There’s mischief afoot.” Frank E. Schoonover, 1936, oil on canvas.

2006 Biggs Museum Gala
Anna Dorothea Finney, John Hesselius,
ca. 1758, oil on canvas